Long time, no blog!
So here's a few mini-blogs...
Typos, typos, typos everywhere!
Once I got STEAL YOU AWAY released, I took a little break from my laptop. I'd just relocated the day before release and was still unpacking. By the time I got around to looking at the finished product on my Nook, it was January.
From the tiny excerpt at the opening to the back cover copy, I located several easy errors. So easy that if I were reading the sample or the back, I'd probably pass on reading the novel myself. Silly, little mistakes like misspelling a main character's name!
Needless to say, I went over it with a fine-toothed comb and redid all the e-copies and the print version. Because of the last-minute changes, I've had to delay FATAL TARGET again.
Here's two documented fails:
Full-Time
About two weeks ago, I announced, via Twitter, I'd taken a full-time job. Despite full-time work, I still planned to write and release books.
However, I turned down that particular job. I'm still interviewing for other positions. While working 40 hours a week will slow down my process, I will not stop writing. Releases might not be as frequent, but I will continue the J. Carter & Associates Series and do standalones and shorts.
So, rest easy. I'm still typing away like a mad person.
New Directions
FATAL TARGET has been hard to write, I'll admit it. The original drafts introduced Aidan...who ended up intro'd back in SOLE SURVIVOR, which changed the entire novel.
Now, FATAL TARGET focuses on what happens when the new couple are forced apart by a murder investigation that puts them both in trouble. I still struggled with what would force Kat to leave him behind - and then stumbled upon the solution - an attack on Aidan.
The good news is the first two parts (there will be either four or five parts in total) are edited and locked down, i.e., unless there are major changes in the back half that affect them.
I'm leaning toward a May or June release. I'll keep everyone posted!
Serial Madness
Creating a series is no easy task. Creating a new kind of thriller full of danger, suspense, and romance with a cast of characters who don't always follow the law is a journey. So this is a peek behind the curtain of the J. Carter & Associates series and a look at crime and criminals.
Friday, April 5, 2013
Friday, December 21, 2012
WWAD?
About 75% of the time, I start a story with a simple idea. Very often, this idea comes in the form of a question - WWAD? In simple terms: What Would Aidan Do? Now, this could easily be WWKD for What Would Kat Do, but Aidan drives a lot of ideas.
For example, the plot of Breaking Point (#3 in the J. Carter & Associates series) is one major WWAD after another. WWAD if his wife disappeared and a body surface in the place where she was last seen? WWAD if all the evidence points to the body being that of Kat? Does he accept her as dead? Or does he fight the mounting evidence proving her dead and gone?
A second part of Breaking Point is WWAD if someone from his past reappeared? Little is known (well, at least to you, dear readers) about his life prior to the series. We know his best friend and partner, Marc Pearson, is ex-FBI. We know Aidan once picked pockets to survive. We know Jackson Robertson trusts him. What we don't know is about his family and his upbringing and what reduced him to petty theft.
Kat's past in contrast is an open book. Her life before the series isn't perfect, but it's no mystery. There is no real WWKD unless it deals with Aidan.
A great part of the plot in Fatal Target (#2 in the J. Carter & Associates series) is WWKD. WWKD if Aidan was arrested for murder? Alternatively, WWAD is he was framed for murder and separated from Kat? They are entwined in each other's identity despite their strong personalities. What happens to one affects the other.
Kat and Aidan each react in different ways. If the other is in danger, they act offensively. If Kat is personally threatened, she'll fight. If Aidan is threatened, he'll hold his ground. She reacts first and thinks second. Aidan is more mature and calculating, and less impulsive.
That is, until Kat's life is at risk.
Without the question of WWAD, Breaking Point would cease to exist. It's very Aidan-driven and deals with past consequences in the present. No matter how long you run, the past will catch up. It's only a matter of time before you have to face your fears...
Fatal Target lays the groundwork for the foray into Aidan's past. His past shaped him in both good and bad ways and should have made him evil. Instead, he is saved and redeemed by his love for Kat. He has no close family to confide in. He's created his own family at J. Carter & Associates and he'll make a bargain with the devil herself in order to protect them in Breaking Point.
For example, the plot of Breaking Point (#3 in the J. Carter & Associates series) is one major WWAD after another. WWAD if his wife disappeared and a body surface in the place where she was last seen? WWAD if all the evidence points to the body being that of Kat? Does he accept her as dead? Or does he fight the mounting evidence proving her dead and gone?
A second part of Breaking Point is WWAD if someone from his past reappeared? Little is known (well, at least to you, dear readers) about his life prior to the series. We know his best friend and partner, Marc Pearson, is ex-FBI. We know Aidan once picked pockets to survive. We know Jackson Robertson trusts him. What we don't know is about his family and his upbringing and what reduced him to petty theft.
Kat's past in contrast is an open book. Her life before the series isn't perfect, but it's no mystery. There is no real WWKD unless it deals with Aidan.
A great part of the plot in Fatal Target (#2 in the J. Carter & Associates series) is WWKD. WWKD if Aidan was arrested for murder? Alternatively, WWAD is he was framed for murder and separated from Kat? They are entwined in each other's identity despite their strong personalities. What happens to one affects the other.
Kat and Aidan each react in different ways. If the other is in danger, they act offensively. If Kat is personally threatened, she'll fight. If Aidan is threatened, he'll hold his ground. She reacts first and thinks second. Aidan is more mature and calculating, and less impulsive.
“Oh, Kitty, there you are!”Her blood ran cold.“Keep walking,” Aidan murmured into her ear. “Don’t let him win.”She slipped an arm underneath his coat, searching for the familiar weight of his semi-automatic gun. It wasn’t there, but the move soothed her nonetheless. The gun was around the corner in their car, thanks to the courthouse’s security procedures. While she wouldn’t turn the gun on the man who abused her, she knew Aidan would. He would kill to defend her. He’d proved it in the past.“You must be her new boyfriend. Tell me, is she worth the money? I don’t care who claims her as their child, she’s nothing more than a whore…”Aidan pressed a ring of keys into her hand. “Get in the car, Katherine. Don’t say a word.”She stepped away from him, a questioning look in her eye. He nodded as if to say it was okay. (from Fatal Target)
That is, until Kat's life is at risk.
"Just give me a name," Marc demanded. "Just that and I'll help. I need to know.""You need a name? Me! I'm the reason Kat's in danger. I'm the reason this happened. It's all because of me!"Marc frowned, shifting the truck back into gear. "What did you do, Murphy?""I didn't die. That was my offense. I didn't die and she found out. Now, she's gonna have Kat die to teach me a lesson....She's gonna make her drown because it's Katy's greatest fear. She's going to die because I love her." (from Breaking Point)
Without the question of WWAD, Breaking Point would cease to exist. It's very Aidan-driven and deals with past consequences in the present. No matter how long you run, the past will catch up. It's only a matter of time before you have to face your fears...
"Not anymore. Where is she? What did you do to Katherine?""Everyone has a breaking point. I found hers..."Water... (from Breaking Point)
Fatal Target lays the groundwork for the foray into Aidan's past. His past shaped him in both good and bad ways and should have made him evil. Instead, he is saved and redeemed by his love for Kat. He has no close family to confide in. He's created his own family at J. Carter & Associates and he'll make a bargain with the devil herself in order to protect them in Breaking Point.
Friday, November 9, 2012
Behind the Screen
Part of my reason for starting this blog was to talk about my inspirations behind the stories. Since I've already discussed SOLE SURVIVOR, today I'm going to hit on some other works that are upcoming.
First up, STEAL YOU AWAY.
Based loosely on a fan fiction I wrote back in... 2005, SYA is about a young woman who becomes entangled with a killer. The first half of the story bares little resemblance to the fan fiction and the characters have new names and backgrounds. Cassandra Sidell works in a hotel and meets a charming guy in a bar - who later steals her access card. After swapping cell phones, she interrupts a murder and ends up going lamp-to-face with him.
Garrett Ramsey is a trained killer. He's done his best to shut off his humanity in order to do his job. But Cass gets under his skin. Before long, he's dragging her along in an attempt to save her life against his better judgment.
The banter between them and the chemistry was all inspired by the 2005 thriller "RED EYE" directed by Wes Craven. The fan fiction that served as my jumping off point for SYA followed Lisa and Jackson as he plotted his revenge on her for transgressions made during the film. The unlikely duo end up working together to take down his bosses and survive, all while falling for each other.
Wanna see some differences?
The original scene in the fanfiction.
Lisa entered her bathroom and washed her face with cold water to wake herself up. After drying her face she looked in the mirror and jumped backwards. Written in soap was a message, clearly for her.
I MAY HAVE TO STEAL YOU
Lisa started shaking. Jackson had said those very words on the plane.
"When this is over, I may have to steal you," he said, icy blue eyes locking on her.
She knew it was only a matter of time. Jackson would come for her soon and there was nothing she could do about it. Jackson never broke his promises.
A scene from STEAL YOU AWAY.
Cassandra blew her bangs out of her eyes, standing up. She faced herself in the mirror, dark-circled eyes and all, only to find her image obscured.
Blood red lipstick covered the glass. I MAY HAVE TO STEAL YOU it screamed in bold writing. It was a man’s handwriting – all angles and straight strokes. No curves or silly dots. Plain and to the point.
Just like the man responsible for the garish graffiti.
Garrett Ramsey. He’d been in her room for sure this time.
Except, there was a line through STEAL. Above it, he’d scrawled KILL. I MAY HAVE TO KILL YOU.
She shivered, chills moving through her body.
Okay, FATAL TARGET.
The original idea was of a shooting on campus. These were in the days before the VA Tech shooting and other high-profile incidents of violence on college campuses across the US. The shooting was a distraction to kidnap Kat.
Also, FT was meant to be Aidan's introduction to readers. But, he got a larger role in SOLE SURVIVOR and wasn't an unknown in FT.
Here's an example of the differences, using two different scenes focusing on Kat's training.
From an old draft in 2008:
"Do it again, Kat! Faster!"
Her chest was heaving. She could barely catch her breath. Kat wiped the sweat from her forehead with a white towel and whirled around to attack the punching bag. The weighted bag swung on the chain in the workout room she had fashioned with her father. Her mother was upstairs organizing boxes as they ran through the motions of a workout.
She swung out her right leg, striking the bag, before following with a left-handed punch. The chain creaked and her father shouted directions. Kat punched, feinted, and kicked through a series of combinations, a pulse-pounding beat in her mind as she fought the bag.
"Good, good!" Jackson praised, clapping his hands as she finished the set. "Now let's go for a run."
"You've… got… to… be… kidding…" Kat gasped, bent over and doing her best not to vomit. She'd pushed herself hard—she always did.
He cocked his dark-haired head in her direction. "No, Kat, I'm not. Get some water, and we're going. You need to build up your endurance levels."
"Why? I'm going to college in a few days."
From the new version:
“Breathe. Focus. In and out.”
He stood behind her, his breath hot on her bare neck. His hands steadied her, helping to adjust her position. Katherine loved being close to her boyfriend, even when he barely touched her.
“You can do this. Remember the recoil. No, don’t tense up. That’s a good way to get smacked in the face,” he urged, soothing her muscles with a gentle touch. “You’ve got this. You’ll be fine.”
“Okay,” she said.
Katherine Carter-Robertson took a deep breath and squeezed the trigger. In her hand, the gun leapt, barking out as the bullet left the barrel and soared across the room to cut through a paper target. Her shoulders absorbed the recoil and she held her ground.
“Again,” Aidan urged.
Crack. Crack. Crack. Crack.
Each bullet ripped through the paper. One. Two. Three. Four. Five holes. Two in the head and three center mass.
“That’s my girl!” Aidan Murphy whooped, kissing her cheek. “Great job, babe!”
It's amazing what can happen between drafts. While the core of the story is the same - Kat being a target for a ruthless killer, her allies have changed, her solid relationship with Aidan is tested, and some subplots are removed.
First up, STEAL YOU AWAY.
Based loosely on a fan fiction I wrote back in... 2005, SYA is about a young woman who becomes entangled with a killer. The first half of the story bares little resemblance to the fan fiction and the characters have new names and backgrounds. Cassandra Sidell works in a hotel and meets a charming guy in a bar - who later steals her access card. After swapping cell phones, she interrupts a murder and ends up going lamp-to-face with him.
Garrett Ramsey is a trained killer. He's done his best to shut off his humanity in order to do his job. But Cass gets under his skin. Before long, he's dragging her along in an attempt to save her life against his better judgment.
The banter between them and the chemistry was all inspired by the 2005 thriller "RED EYE" directed by Wes Craven. The fan fiction that served as my jumping off point for SYA followed Lisa and Jackson as he plotted his revenge on her for transgressions made during the film. The unlikely duo end up working together to take down his bosses and survive, all while falling for each other.
Wanna see some differences?
The original scene in the fanfiction.
Lisa entered her bathroom and washed her face with cold water to wake herself up. After drying her face she looked in the mirror and jumped backwards. Written in soap was a message, clearly for her.
I MAY HAVE TO STEAL YOU
Lisa started shaking. Jackson had said those very words on the plane.
"When this is over, I may have to steal you," he said, icy blue eyes locking on her.
She knew it was only a matter of time. Jackson would come for her soon and there was nothing she could do about it. Jackson never broke his promises.
A scene from STEAL YOU AWAY.
Cassandra blew her bangs out of her eyes, standing up. She faced herself in the mirror, dark-circled eyes and all, only to find her image obscured.
Blood red lipstick covered the glass. I MAY HAVE TO STEAL YOU it screamed in bold writing. It was a man’s handwriting – all angles and straight strokes. No curves or silly dots. Plain and to the point.
Just like the man responsible for the garish graffiti.
Garrett Ramsey. He’d been in her room for sure this time.
Except, there was a line through STEAL. Above it, he’d scrawled KILL. I MAY HAVE TO KILL YOU.
She shivered, chills moving through her body.
Okay, FATAL TARGET.
The original idea was of a shooting on campus. These were in the days before the VA Tech shooting and other high-profile incidents of violence on college campuses across the US. The shooting was a distraction to kidnap Kat.
Also, FT was meant to be Aidan's introduction to readers. But, he got a larger role in SOLE SURVIVOR and wasn't an unknown in FT.
Here's an example of the differences, using two different scenes focusing on Kat's training.
From an old draft in 2008:
"Do it again, Kat! Faster!"
Her chest was heaving. She could barely catch her breath. Kat wiped the sweat from her forehead with a white towel and whirled around to attack the punching bag. The weighted bag swung on the chain in the workout room she had fashioned with her father. Her mother was upstairs organizing boxes as they ran through the motions of a workout.
She swung out her right leg, striking the bag, before following with a left-handed punch. The chain creaked and her father shouted directions. Kat punched, feinted, and kicked through a series of combinations, a pulse-pounding beat in her mind as she fought the bag.
"Good, good!" Jackson praised, clapping his hands as she finished the set. "Now let's go for a run."
"You've… got… to… be… kidding…" Kat gasped, bent over and doing her best not to vomit. She'd pushed herself hard—she always did.
He cocked his dark-haired head in her direction. "No, Kat, I'm not. Get some water, and we're going. You need to build up your endurance levels."
"Why? I'm going to college in a few days."
From the new version:
“Breathe. Focus. In and out.”
He stood behind her, his breath hot on her bare neck. His hands steadied her, helping to adjust her position. Katherine loved being close to her boyfriend, even when he barely touched her.
“You can do this. Remember the recoil. No, don’t tense up. That’s a good way to get smacked in the face,” he urged, soothing her muscles with a gentle touch. “You’ve got this. You’ll be fine.”
“Okay,” she said.
Katherine Carter-Robertson took a deep breath and squeezed the trigger. In her hand, the gun leapt, barking out as the bullet left the barrel and soared across the room to cut through a paper target. Her shoulders absorbed the recoil and she held her ground.
“Again,” Aidan urged.
Crack. Crack. Crack. Crack.
Each bullet ripped through the paper. One. Two. Three. Four. Five holes. Two in the head and three center mass.
“That’s my girl!” Aidan Murphy whooped, kissing her cheek. “Great job, babe!”
It's amazing what can happen between drafts. While the core of the story is the same - Kat being a target for a ruthless killer, her allies have changed, her solid relationship with Aidan is tested, and some subplots are removed.
Friday, November 2, 2012
NaNoWriMo
It's November, which is one of my favorite times of the year. Why, you ask? Because, it's NaNo time, baby!
What's NaNo? It's short for NaNoWriMo which is better known as National Novel Writing Month. The goal of NaNo is to write a novel (in any genre) in 30 days. What counts as a novel? For NaNo, 50,000 words is considered "winning". You could write 'ninja' 50,000 times and win, but where's the fun in that?
NaNo helps forge bonds by hosting write-ins were us anti-social creatures of the keyboards meet in public, in libraries or Panera Breads, across the world and do what we do best -- WRITE. Encouragement is key during NaNo. We all band together and cheer each other on to reach that 50K mark. For 30 days, we live and breathe writing, and boy, is it a rush like no other.
The writing is rough, unpolished, and full of typos. But to see those words fill up the blank page before you is amazing. It's pure, unfiltered imagination.
If you're an aspiring author, join in. It's free and at a daily goal of about 1,667 words, you, too, can write a novel in month. I've done it since 2007 regardless of what's going on in my life - high school, college, work, illness - and I've never regretted it.
NaNo's not about the win - it's about the journey. So, dust off that typewriter, that keyboard, or buy a brand new pen and notebook, and join in. I'm doing it. Why aren't you?
Learn more about NaNoWriMo and even sponsor this great organization here.
Want to track my progress? My author's page.
![]() |
| NaNoWriMo badge from the site |
NaNo helps forge bonds by hosting write-ins were us anti-social creatures of the keyboards meet in public, in libraries or Panera Breads, across the world and do what we do best -- WRITE. Encouragement is key during NaNo. We all band together and cheer each other on to reach that 50K mark. For 30 days, we live and breathe writing, and boy, is it a rush like no other.
The writing is rough, unpolished, and full of typos. But to see those words fill up the blank page before you is amazing. It's pure, unfiltered imagination.
If you're an aspiring author, join in. It's free and at a daily goal of about 1,667 words, you, too, can write a novel in month. I've done it since 2007 regardless of what's going on in my life - high school, college, work, illness - and I've never regretted it.
NaNo's not about the win - it's about the journey. So, dust off that typewriter, that keyboard, or buy a brand new pen and notebook, and join in. I'm doing it. Why aren't you?
Learn more about NaNoWriMo and even sponsor this great organization here.
Want to track my progress? My author's page.
Tuesday, June 19, 2012
Updates!
It's been a busy week for updates. Writing is a bit slow - first 1/4 of STEAL YOU AWAY is done with the main draft and some editing. Developing Cass and Ramsey's relationship is what takes time and thinking and planning.
Unlike many of the other J. Carter & Associates books, SYA features a cold-hearted killer as the hero. Ramsey knows he does bad things, but he doesn't care. At the start, he's a remorseless killing machine more worried about his next paycheck than the effects of his killing.
Cass changes that for him. She goes from a target to an equal after she uncovers a murder plot. The resulting brawl leaves them both injured and Ramsey's pride wounded.
They have to learn to trust each other if they want to survive, especially as he is added to the kill list for helping her. But Ramsey isn't above betraying her in return for his thriving career.
Between them both, Ramsey has the best one-liners. Some of my favorites are over on the website on the Extras page.
Unlike Kat, Cass isn't much of a fighter--she's a scrapper. In a fight between them, Cass would probably lose. Do I love Cass any less? No, she's strong, like Kat, only in a different way. She hasn't experienced loss in the same way as Kat. She's led a very normal life. That's part of the fun.
All the links for AGAINST THE CLOCK have been updated on the site as well. It's now on Sony, Barnes & Noble, and more. Don't forget that the free PDF script is also on the site. At the moment, I have no plans to also do a paperback copy unless I can also get the script to fit.
The first book trailer is also up on YouTube and the Facebook page. It's a short one for SOLE SURVIVOR. Enjoy!
![]() |
| Cover art for STEAL YOU AWAY |
Cass changes that for him. She goes from a target to an equal after she uncovers a murder plot. The resulting brawl leaves them both injured and Ramsey's pride wounded.
They have to learn to trust each other if they want to survive, especially as he is added to the kill list for helping her. But Ramsey isn't above betraying her in return for his thriving career.
Between them both, Ramsey has the best one-liners. Some of my favorites are over on the website on the Extras page.
Unlike Kat, Cass isn't much of a fighter--she's a scrapper. In a fight between them, Cass would probably lose. Do I love Cass any less? No, she's strong, like Kat, only in a different way. She hasn't experienced loss in the same way as Kat. She's led a very normal life. That's part of the fun.
All the links for AGAINST THE CLOCK have been updated on the site as well. It's now on Sony, Barnes & Noble, and more. Don't forget that the free PDF script is also on the site. At the moment, I have no plans to also do a paperback copy unless I can also get the script to fit.
The first book trailer is also up on YouTube and the Facebook page. It's a short one for SOLE SURVIVOR. Enjoy!
Sunday, May 27, 2012
SOLE SURVIVOR Paperback Release & Other Works
![]() |
| Paperback cover |
The sequel, FATAL TARGET, is in progress and should be available either in August or early fall at the latest.
For more adventures from the crew at J. Carter & Associates, check out the novella AGAINST THE CLOCK and the script version which is on my website for free. The novella is $0.99 and is available through all major e-book outlets including Amazon, Barnes & Noble, and Smashwords.
Hopefully, this will keep readers busy while I work on STEAL YOU AWAY (cover art coming soon!) and TRUST NO ONE.
And here's an exclusive excerpt from FATAL TARGET:
May 5th,
2007
“..Happy
birthday to you!” sang the gathered group. There were a dozen people crowded
into the small apartment’s living room. At the center of the commotion, her
face flushed red from embarrassment, sat Katherine. Beside her, his crooked
smile wide, sat her boyfriend and confidante.
Candles
glowed in the darkened room. She took a deep breath and blew. The flames
flickered out, smoke trailing, as their friends clapped.
“I’m
gonna kill you for this,” she hissed through clenched teeth at Aidan.
“You
know you love it.”
An
ear-piercing whistle cut through the noise. “Stop making faces, Kat, and let’s
cut that damn cake. I’m starving.”
The overhead
lights flipped on with a buzz. She rolled her ice blue eyes at the voice. Marc
Pearson leaned against a wall, quite at home, with a beer in his hand. As
usual, he wore all black, the shirt tight-fitted over well-defined muscles.
“Just
for that, you don’t get a piece.”
He
pouted. “That’s harsh.”
“Suck
it up, Pearson.”
Katherine
stood up, her legs draped in dark denim. Aidan followed her lead, a hand
resting against her waist, as he guided her through the small crowd.
In the
kitchen, her cake waited, devoid of candles, with a knife. A stack of small
paper plates and forks lay beside it on the countertop. Aidan took up the
knife, cutting deftly through the sheet cake.
“Which
piece do you want, babe?” he asked.
“Give
me a flower.”
He
nodded, cutting out a large blue flower on a corner for her. With the birthday
girl’s piece secured, he sliced a neat grid through the cake, methodically
cutting pieces. Kat helped transfer the cake to plates, passing them and forks
around their friends.
Once
the majority of the cake was gone, Kat took her piece. She devoured the frosted
flower first, blue icing tinting her lips. She didn’t care as she munched on
the moist yellow cake. Aidan leaned against the counter beside her, a narrow
slice in his hands.
“Good
cake?”
“Delicious,”
she mumbled, her mouth full.
Aidan
grinned. “Happy Birthday, Katy. I love you.”
“Love
you too.”
Monday, May 21, 2012
Meet STEAL YOU AWAY's Cass and Ramsey
Sometimes, I get an idea and I just have to run with it.
Yes, FATAL TARGET should be my top priority, and it is one of them, but I've been sucked into a new work. Whether or not it'll tie into the J. Carter & Associates series remains to be seen. I'm approaching it as a standalone, but it's possible the some of the unnamed companies are linked to JCA's enemies...
What hit me first was the magnetic attraction between former enemies Cassandra Sidell and Garrett Ramsey. He's a killer in a three-piece suit and she's the attractive hotel employee who foiled a hit. Both of their lives are on the line as Ramsey is fired by his employers and hits are put on both their heads. In order to stay alive, she'll have to trust him, even though he's using her to get his old job back.
Read on for a look at STEAL YOU AWAY.
Introducing Garrett Ramsey...
Yes, FATAL TARGET should be my top priority, and it is one of them, but I've been sucked into a new work. Whether or not it'll tie into the J. Carter & Associates series remains to be seen. I'm approaching it as a standalone, but it's possible the some of the unnamed companies are linked to JCA's enemies...
What hit me first was the magnetic attraction between former enemies Cassandra Sidell and Garrett Ramsey. He's a killer in a three-piece suit and she's the attractive hotel employee who foiled a hit. Both of their lives are on the line as Ramsey is fired by his employers and hits are put on both their heads. In order to stay alive, she'll have to trust him, even though he's using her to get his old job back.
Read on for a look at STEAL YOU AWAY.
Introducing Garrett Ramsey...
Fingers
drummed the steering wheel’s leather cover.
Damn city traffic…
He turned up the
air-conditioner again, reluctant to take off his suit jacket. He was used to
the lightweight wool-blend, the matching trousers, and the vest. His silk tie,
a light blue, matched the tiny pin-stripes and his eyes.
There
was no way in hell he was bowing to the pressure of the stuffy car and
stripping. He was a businessman, not an animal. Besides, he was only a few
miles away from his meeting. If he hoped to keep his job, he had to look the
part.
Garrett
Ramsey glanced down at the car clock, scowling. He was late.
Introducing Cass Sidell...
Each
new day was an accomplishment. Every morning she woke up breathing was a win
for her. Survival was the name of the game and Cassandra played to win.
For
three months she dreaded the dawning of a new day. Every new face was a
potential threat to her. Every charming smile hid a lying snake in wait. Dark
hair was an immediate turn-off and a warning sign. Cass knew he would be back.
It was simply a matter of time until he returned.
People
like Garrett Ramsey were too evil to die.
She
glanced into the bathroom vanity, dabbing concealer on the dark circles
underneath her green eyes. Her pale skin shone a ghostly white under the harsh fluorescent
bulbs. She smiled at her reflection, the action automatic, but not reaching her
eyes.
Sitting
on the edge of her unmade bed, Cassandra Sidell slipped her petite feet into a
pair of lethal stiletto heels. Her best weapons were a pair of heels. Even a
two-inch pump could slow down an attacker. She stood up, pulling down the hem
of her high-waisted grey skirt.
With
her nametag pinned to her blouse, she picked up her small purse and a keycard.
Her brunette curls fell down her shoulders, standing out against the
cream-colored fabric as she exited the hotel room.
The
carpeted hallway dulled the sound of her heels as she strode to the elevator.
Her body portrayed a confidence she did not feel. Inside, her body trembled,
wanting nothing more than to pull the covers of the luxurious bed over her
head.
Cassandra
had already hid in her apartment for a week. By the end of that first week, she
jumped at the persistent ring of the telephone or the chime of a clock. There
were too many memories crammed into the one-bedroom apartment.
She
ended her lease the following day.
While
she finalized the paperwork on her townhouse, she decided to take advantage of
her work’s discounts and book a room. Plus, one couldn’t beat the commute.
The
elevator dinged, announcing its arrival, as the doors slide open.
Taking
a deep breath, she stepped into the metal box, rocketing downstairs to start a
new day. Another step forward. Another morning alive.
And,
hopefully, another day without Ramsey.
Fired
The
stony-faced committee of gentlemen before him wasn’t pleased with either his
lateness or his current job performance. Even with his unparalleled success
record, failure was not to be tolerated. Not at this level. Never before had a
civilian destroyed a high-profile job.
Not
just any civilian – a twenty-something hotel employee. A female employee.
All
he’d needed from her was a keycard and cell phone. He got both, but during the
return swap, she’d snagged his phone – not her own. It was a disposable phone –
Garrett wasn’t stupid – but a single incriminating text was all it took for her
to leap into action.
Cassandra
Sidell unwove his careful plan. Instead of his target waiting in the hotel
room, it’d been her. And she beat the shit out of him.
“Effective
immediately, you’re fired, Ramsey. And thanks to your spectacular fuck-up, a
long-time client left the firm. We hired you to handle delicate situations, not
cause them. We have no choice but to withdraw our protection.”
Garrett
frowned. “Withdraw? What are you saying?”
“The
client is well aware of your identity. Should they decide to seek revenge,
that’s their prerogative. As it is, they have put out an alert on that girl.”
“A
hit, you mean,” he corrected, his tone clipped.
The
chairman didn’t appear to notice. “You cost us upward of four million dollars
in commissions alone. Not to mention having to clean up your mess. Making you
disappear was not cheap.”
“Sir,
if you give me another chance—“
“This
is not up for discussion, Ramsey. The board voted. You are a liability to us,
not an asset. You’re fired.”
And the games begin...
Groggy,
her mind full of cotton, she stepped into the bathroom. She ducked her head
under the faucet. Ice cold water ran down the back of her neck, setting her
nerve endings on fire.
Cassandra
blew her bangs out of her eyes, standing up. She faced herself in the mirror,
dark-circled eyes and all, only to find her image obscured.
Blood
red lipstick covered the glass. I MAY
HAVE TO STEAL YOU it screamed in bold writing. It was a man’s handwriting –
all angles and straight strokes. No curves or silly dots. Plain and to the
point.
Just
like the man responsible for the garish graffiti.
Garrett
Ramsey. He’d been in her room for sure this time.
Except,
there was a line through STEAL. Above
it, he’d scrawled KILL. I MAY HAVE TO
KILL YOU.
She
shivered, chills moving through her body.
Her
worst nightmares were about to come true and there was nothing she could do to
stop him. Ramsey had the run of the hotel. He’d backed her into a corner and
knew it. He was toying her, like a cat with a mouse.
Subscribe to:
Posts (Atom)








